NAMING YOU
BY ALI ABRAHAM
Naming You
grave
i'll wait somewhere forever
for you.
they dug me six deep
and I was a hole
to fill.
corpse
snowdrop water sunk and then cracked these bones.
a daisy seed sprouted in my nose hole
weaving through the mouth cave with spindle sewn
lace finger roots. soil absorbed the rich soul
and much became planted in the cool roast
rainbow chocolate of earthstuck flesh clumps.
from dirt, blooms sprung about my gross black ghost,
penetrated and pinned by the cross stump.
prison is not coffin, but tomb marker,
here lies spirit stamp iron wrought etch.
i don't exist, but still suffer darker
purgatories: merely the starring wretch
of the loving epitaph. i exist
in stench, resist god fists of fixedness.
baby
the bouncing beats sound softly. woven hearts
interlope cross body territories.
stillness, not easy, as i am both part
and within movement, our sordid stories
of plump bobbing apples, incarnate Eve
or Newton's trembling fruit. it’s for you i wait,
weightless within the thrum, to be received:
naked date with the pearly silk slick gate.
i seem to inhabit, it all becomes
me, within you, housing me, snake pulse
and dark, thick, milk fog swirls, bthm bdm,
en-wombed so, by universal forces.
fluid sack bursts, tornado squeeze contracts,
sucked forth by breath til' void, again, takes back.
mother
i waited for you for months,
it was like they say
about boiling water.
i was a big globe swilling
thousands of tsunamis.
what is your name to be,
little death?
Remembering Japan
1. San Francisco
it is cherry blossom season in San Francisco.
a wimpy one, but still cherry blossom season.
the trees populate the city shyly, a couple
stationed in front of a crumbling Italian church,
the border of a park, sidewalk planters—
reticent heralds of a foreign loveliness.
they thrash in deluges of our cruel April. street sog
absorbs the frail bursts. and with cigarette butts, petals
drift about gray mire, drown in gutters, become impressed
by rain boot heels and smeared on welcome mats.
it calls to mind the greater season: goddess
of springtimes, glorious Shinto gardens Zen burst spring!
bloom lit playgrounds, schoolyards even. O to stroll
among the sprawling groves of Japanese country side!
and i remember the pagoda roof cowl curves,
crowns stacked like nesting dolls, protruding from
breathing blush swirl of blossoms and their limbs.
sighing lavishly, i blink
black the dream and it breaks
by chills of a different vision:
splintered and coagulated mulch of broken earth,
limbs and bubbling sog and mud where our earth
could no longer hold our trembling
and her trembling and broke.
bodies and blossoms and pink and blush and flesh.
2. Great Wave
nearly midnight, a gas fueled fire glimmers.
it’s soporific sputter drowned by electric TV glow
and HBO announces Touchstone’s Pearl Harbor.
contentedly reading Robert Hass’ “Time and Materials”
as Pearl Harbor’s drama unfolds, i bask in the weak heat
of little fireplace flames. After the Winds unfurls
in words, but absently, as i become sucked
into the Hollywood world of love triangle
set in cardboard California-hawaii. and i perform
perfect cries and vicious bursts of tears, huff shallow
wisps of breath, muttering heatedly, things like
bring that plane down motherfucker!
i’m thinking, i want to fight! and i think it with
the full outrage of my heart, gasping because
i can smell death-smell from the screen as
ships sink and the harbor swells with bodies,
splinters, smoking.
i sip my whiskey lemonade and smolder.
the liquid is puss colored amber on the rocks,
chatters as i sip, thinking, Japan
Japan where i lived as a kid!
how beautiful and how brutal
Pearl Harbor—
my Tateyama,
streets swollen with bodies,
splinters, smoking.
movie sob chokes in my throat.
becomes a swell, Great Wave
smoke of helplessness.
Our Shanghai
here is Xintiandi:
here are the bullet holes in the bridge at Xintiandi,
here is the second tallest building in the world
where an absurd fun house mansion stood
once. legend told the mansion was built
for a rich man’s sick daughter,
her recurrent fever dream, the blueprint
for its mad dimensions.
here is the Pearl T.V. tower:
here are the purple and blue iridescent hexagonal domes of the tower,
magenta pink nipple dome at its top. shabby and dwarfed now,
but five years ago, the most famous attraction.
here is The Bund,
still it wraps itself like a mama snake ‘round
few remaining scrap bungalows, the Yuyuan trading market, wraps
‘round the new buildings, even, as they crop up like untreated shingles
on the tired skin of this sinking city, tallest of all sinking cities.
aluminum shack peasant shanties went down
and sepia toned monsters went up and up and up,
disappearing into the dishwater gray smog, springing
up and up until they were the tallest in the world,
but empty.
we were once guests to this hungry, humming Gotham,
voyeurs to its history, a culture that swallowed itself.
in a place that never existed
my first kiss tasted of breakfast dumpling and MSG.
lasted 10 seconds.
then i woke up
a thousand years old
Shanghai was gone,
vanished entirely in the gray smog that crept off the ocean, into its streets,
the sunken city, sinking, sinking
into its forgotten wrinkles.
Eye Bags
easiest way to see
your mother's face
is to concentrate on them.
i kissed yours,
but they stayed sunken.
after all, love is not like sleep
or water
